May 17, 2013
nevver:

Kate

nevver:

Kate

10:56pm  |   URL: http://tmblr.co/ZIXvXylDgaOH
  
Filed under: kate winslet 
May 17, 2013

My life.

(Source: lulusaurus, via leticiac)

May 17, 2013
“The basic reason why anyone wants to become an actor is arrested development. Which is great when you’re 18. Becoming an actor is like becoming a father. It’s not hard to become one. Making a life of it is the challenge”

“The basic reason why anyone wants to become an actor is arrested development. Which is great when you’re 18. Becoming an actor is like becoming a father. It’s not hard to become one. Making a life of it is the challenge”

(via pseudobabbler)

9:20pm  |   URL: http://tmblr.co/ZIXvXylDH-d1
  
Filed under: christoph waltz 
April 23, 2013

(Source: substitutescene)

11:16pm  |   URL: http://tmblr.co/ZIXvXyjPMUMM
  
Filed under: pj harvey Nick Cave 
April 23, 2013
 

 

(via leticiac)

10:48pm  |   URL: http://tmblr.co/ZIXvXyjPCx-E
  
Filed under: woody allen quotes 
February 20, 2013
monicabbm2:

I had no idea who…Marion Cotillard was. When I was in Paris for “Two Lovers,” a publicist told me, “A guy named Guillaume Canet wants to have lunch with you.” So we met and had lunch, I found him incredibly funny — I didn’t know anything he had done at that stage, but we sort of bonded because a rat ran across the floor of the restaurant. And then he said, “Come meet my girlfriend” and I met this woman who looked like a silent film actress like Pola Negrior something. And I said, “Who’s your girlfriend?” and he said [French accent] ”You don’t know my girlfriend? She won an Oscar, are you stupide?” 
And my wife and I became very friendly with them. One night at dinner we went to a restaurant and I told her I didn’t like some actor that she thought was great and she threw a piece of bread at my head, and I thought, “Well, you’re interesting.” So I wrote the movie [“Lowlife”] for her, having never seen her in a movie. Because she has this face, you know? She doesn’t even have to say anything, and that’s rare. 

James Gray on Marion Cotillard

monicabbm2:

I had no idea who…Marion Cotillard was. When I was in Paris for “Two Lovers,” a publicist told me, “A guy named Guillaume Canet wants to have lunch with you.” So we met and had lunch, I found him incredibly funny — I didn’t know anything he had done at that stage, but we sort of bonded because a rat ran across the floor of the restaurant. And then he said, “Come meet my girlfriend” and I met this woman who looked like a silent film actress like Pola Negrior something. And I said, “Who’s your girlfriend?” and he said [French accent] ”You don’t know my girlfriend? She won an Oscar, are you stupide?” 

And my wife and I became very friendly with them. One night at dinner we went to a restaurant and I told her I didn’t like some actor that she thought was great and she threw a piece of bread at my head, and I thought, “Well, you’re interesting.” So I wrote the movie [“Lowlife”] for her, having never seen her in a movie. Because she has this face, you know? She doesn’t even have to say anything, and that’s rare. 

James Gray on Marion Cotillard

February 20, 2013
godblessjohnford:

“The border is man-made. Nature doesn’t care.”—La Grande Illusion (Jean Renoir, 1937)

godblessjohnford:

“The border is man-made. Nature doesn’t care.”—La Grande Illusion (Jean Renoir, 1937)

February 17, 2013

5:22pm  |   URL: http://tmblr.co/ZIXvXyeNL_fb
  
Filed under: anjelica huston 
February 2, 2013
strangewood:

Gunnar BjörnstrandNovember 13, 1909 — May 24, 1986
“Smiles of a Summer Night was my best part of all, I think, to play. It was a wonderful time. So it went on from year to year. The part of the writer in Through a Glass Darkly was a portrait of Bergman himself. I had to weep, very short and very intensely, and when they did the playback it was too short. So, Ingmar said it was so good, but one more take, one more take! Anything I am playing, I draw it from within myself, from every part of my character. Being an actor means taking one aspect of yourself and projecting it—you’ve got everything within you, actually. That can be very difficult, especially to avoid compromising. I cannot do it coldly and technically.”

strangewood:

Gunnar Björnstrand
November 13, 1909 — May 24, 1986

Smiles of a Summer Night was my best part of all, I think, to play. It was a wonderful time. So it went on from year to year. The part of the writer in Through a Glass Darkly was a portrait of Bergman himself. I had to weep, very short and very intensely, and when they did the playback it was too short. So, Ingmar said it was so good, but one more take, one more take! Anything I am playing, I draw it from within myself, from every part of my character. Being an actor means taking one aspect of yourself and projecting it—you’ve got everything within you, actually. That can be very difficult, especially to avoid compromising. I cannot do it coldly and technically.”

(via vsssf)

January 31, 2013
 

 

9:39am  |   URL: http://tmblr.co/ZIXvXyd3-vp3
  
Filed under: Audrey Hepburn 
January 21, 2013
“For ten years we had all been told to go out and die for freedom and democracy; but now the war was over, The Red Shoes told us to go out and die for art.” — Michael Powell

“For ten years we had all been told to go out and die for freedom and democracy; but now the war was over, The Red Shoes told us to go out and die for art.” — Michael Powell

(Source: strangewood, via vsssf)

January 18, 2013
"Times are bad. Children no longer obey their parents and everyone is writing a book."

— Cicero, circa 43 BC.

(Source: amandaonwriting, via honkshu)

10:35pm  |   URL: http://tmblr.co/ZIXvXyc5EiO1
  
Filed under: quotes 
January 2, 2013
sssleepallday:

John Frusciante by Sarah Sitkin

sssleepallday:

John Frusciante by Sarah Sitkin

(Source: witchch1cken, via sssleepallday)

7:04pm  |   URL: http://tmblr.co/ZIXvXyao_8ck
  
Filed under: John Frusciante 
December 18, 2012

(Source: reflectsthenothing, via dia36)

10:05am  |   URL: http://tmblr.co/ZIXvXyZcOVT2
  
Filed under: leonard cohen 
December 18, 2012

Could you describe somehow the way he has influenced your life?
Well, it has been 40 years. He is the father of my child. He was my best friend, and we shared so much, because I was his actress. And after all, I was directing some of his scripts. We had a lot of fun together, we laughed a lot. As I said, because he always took his work seriously, he made it possible for all of us who worked with him to take the work seriously too. It wasn’t for money, but commitment. (…) I have worked with good directors, especially in the theatre. But working with Ingmar was special. He allowed me to use everything creative within me, as much as I know about my craft. There are no secrets left, that haven’t been challenged. He was there just as an inspiration. - Liv Ullmann

(Source: binoches, via substitutescene)